For my last long pose of the trimester I was very pleased. Our model was beautiful and we ended up with a great pose and great lighting across her body. This pose was 3 weeks long. I thought it was the perfect amount of time to get exactly what was needed down and also not to overwork the drawing. This was also my first study on toned gray paper which means instead of only drawing the shadows, I will be drawing in the highlights and lights later on.

I have skipped a few steps in the photos here but this shows the drawing as I am beginning to create more of a hierarchy of value. I worked for a long time on really understanding and portraying the rhythm and the big gesture of her body before I went in and distracted myself with the details. If you look very closely, you may notice some changes happening with the overall gesture of her body in these next few photos.

Here I am getting darker in value and keying my darkest dark so I can compare all the rest of the values to it.

I am filling in the darks and beginning to create more of an atmosphere behind her. Adding more variety to my values and working on the transitions between planes. Softer at the top of the thigh, harder edges at the knees. I have also began to key my highlight on her chest with the white chalk so I can also compare my values to it in order to get the full range.

Here I have continued to work on my values, bringing everything darker together, becoming more specific with my lines, mid-tones and transitions. I have added in some detail and began to describe her sternum and rib cage.

I have filled in the background here, relating it to her in value. I did a lot of work in her face and made the transitions more unified.

This one shows the drawing almost finished. I have added a lot more detail in her feet, the floor and a cast shadow of her legs. Some edges are softened in order to allow the eye to easily move over them and others are sharpened in order to draw the eye to them. More chalk has been added to her breast and fades into the tone of the paper.

In the final stages, I worked on edge quality. The transition from the wall behind her and the floor was softened. The edges were also softened beneath her hips and especially parts of her body that fell into shadow. In general, the edges of her body that were in light are sharper. I also worked more on the descriptive mid-tones throughout her body. Overall, I am very happy with the study although, at the moment, there still are some things I’d like to fix. This is definitely my favorite figure study of the year.